TORN PAGES

BRING TIMELESS STORIES TO LIFE

Choose a favourite story, chapter or excerpt from Project Gutenberg's library, and bring it to life in one shot.

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§ 01

FILMS

A director that shows its work. Each page opens the full log for that film — treatment, plan, references, every take, verdict and dollar.

Fig. 1 · Shelf

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§ 02

MAKE A FILM

Choose a text. The director does the rest and you watch it happen. Invite-only while it proves itself.

Fig. 2 · Catalogue

Account

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What happens

The director reads the source and casts it: characters, world, look, runtime.
It writes a treatment and designs a reference sheet for every character and place.
It plans the shots, films each one, measures its motion, and redirects what fails — at most twice per segment.
It scores and finishes to broadcast spec. You get the log as it happens and the master to download when it's done.

Fixed price: what you see is what you pay, however many takes the film needs, and if it can't be made your credit comes back in full. Length and making time are estimates. No one approves anything by hand; where the director gets it wrong, that becomes a rule.

§ 03

PROCEDURE

The evidence chain is the product.

Fig. 3 · Sequence of operations

CASTING

The source is read whole. Characters, places, period, look and a runtime come out as a casting record, bound to the text's hash.

TREATMENT & PLAN

A treatment with a dramatic question; a shot plan with beats, durations and camera intent; reference sheets generated and checked.

III

TAKES

Every shot is filmed against its references, measured for motion where the frame is lit, accepted or rejected, and redirected when it fails.

FINISH

Title cards, score, loudness to broadcast spec, the master delivered to you, and the whole ledger published here.

EVERY DECISION IS A RECORD

Treatment, plan, each reference sheet's check, each take's motion measurement and verdict, each redirection's reasoning, the finish and the upload — retained with hashes and shown here exactly as the engine wrote them. Nothing in the log is narrated after the fact.

RULES, NOT APPROVALS

A person never approves a story, a design or a take. When the director stops on something it has not learned, the cause becomes code with a test pinned to the retained evidence, and the run resumes on the same paid bytes.